Abstract
This study aims to explore the personal
interpretation of the reader of the short story "Civil Peace" using
Norman Holland's Reader's Response vehicle. The study is based on a qualitative
method, where the text of the story is subjected to the reader's interpretation
to identify personality traits, familiar character traits, familiar plot
events, and familiar settings. Findings reveal that the reader's interpretation
is highly influenced by the major character of the story, Jonathan Iwegbu. The
reader connects himself with Iwegbu at the first stage. In the second stage,
Iwegbu's struggle seems similar to that of a person the reader knows, Ahmad. In
the third stage, Iwegbu's response at moments of miracles and crises connects
the reader with events in his personal life, showing unity with this character.
Lastly, the reader appreciates Achebe's use of vernacular language as the best
tool to depict real events in a realistic style. This study is a significant
contribution to the current literature, providing insights into the reader's
experience of "Civil Peace.
Key Words
Civil Peace, Nigerian War, Postcolonial Literature,
Reader's Response Theory
Introduction
Chinua Achebe is one of the most prominent
figures in Postcolonial literature who has produced masterpieces. Gikandi (1991) stated that his novels are the amalgamation
of the European style of novel and the African way of expression. He explained his themes as the representation
of the colonial and post-colonial world and issues of national identity.
Sivasankar and Ganesan (2015)
observed that third-world countries, even after decolonization, seemed to
suffer under new colonial rule, known as "neo-colonialism." In this
era, when neo-colonialism is continuing the legacy of the past colonial world,
many English writers from third-world countries are writing to rid themselves
of colonial culture and habits. Chinua Achebe is considered one of those
intellectuals struggling to destabilize the colonial mindset and who made
numerous efforts for the creation of his country, "New Nigeria,"
which is the main subject of this research as it describes and interprets the
condition of post-colonial Nigeria.
Chinua Achebe is one of the greatest African
writers of the colonial era, who wrote about the traumas, sufferings, and pains
of the colonized in a very precise way. The major themes of his novels, as
pointed out by Chandna (2022), are corruption, family, generation gap, and
cultural conflict. Achebe's writing themes mainly concern African tribes,
concepts of nationalism, the advent of colonizers, colonial life, decolonization,
internal and cultural conflicts, religion, post-colonialism, and corrupt
practices. These themes are also visible in his African trilogy: "Things
Fall Apart" (1958), "No Longer at Ease" (1960), and "Arrow
of God" (1964). Other writings include "Man of the People"
(1966) and "Anthills of the Savannah" (1987). He also wrote many
short stories, including "Civil Peace" (1970), "Marriage Is a
Private Affair" (1952), "Dead Men's Path" (1953), "The Sacrificial
Egg and Other Stories" (1953), "The Voter" (1965), and many
others. These themes are also visible in the work under analysis. His story
'Civil Peace' (1971) stands in the post-Nigerian war scenario when conditions
start settling in Nigeria after Biafra separated. The story is written in the
aftermath of the Civil War, which started in July 1967 because of the political
conflict after the annexation of south-eastern provinces, which proclaimed them
the "Republic of Biafra" (Atofarati, 1992), while Weber (2010) claimed that the conflict was the result of
cultural, religious, and economic tensions. It is the story of a man who
survived the war. Blessed with the survival of his family, he managed to reach
his hometown, where he was blessed with a house that also survived the war.
What remained evident throughout the story is his system of belief. He remained
content in every circumstance, even after losing all the money he received for
the egg rasher. All the events of the story appeal to the reader for
interpretation; that is why the reader's response is taken to unveil
interpretation at the person's level.
Problem Statement
The reader's response theory is one of the most
interesting approaches that allows readers to engage with literature in correlation
with their own lives. It draws insights into the mechanisms by which one's
interpretation is influenced by personal identification with characters,
events, or settings. This kind of interpretation has often been neglected in
academia due to a technical approach. However, this research aims to fill this
gap by providing a reader's response to 'Civil Peace.' It has practical
benefits in contributing a new interpretation to the existing literature.
Significance of the Study
This study is significant as it introduces a new dimension of a reader's interpretation of a work, shedding light on the mechanisms by which one's self affects interpretation. Deep insights into the vehicles of generating a reader's response pave the way for other research in academia and encourage new perspectives
Research Question
How does my reading response vehicle generate
an interpretation of Achebe's 'Civil Peace'?
Literature Review
Literature Review is done at three levels:
Similar Literary Works
Many literary works show similar experiences,
as depicted by Chinua Achebe's 'Civil Peace.' One of the most important aspects
is post-war literature, which depicts the effects of war on people's psyches.
In all ages and around the world, great pieces of literature are produced
depicting the destruction caused by war. In British literature/English
literature, (Fowler, 2014b), published after the English Civil War of
1642, is one such work. The work is often critiqued as Milton's own projection,
as he, being a Puritan, was dissatisfied with the decline of the Commonwealth
government established by Puritans at the hands of King Charles II, who
returned to restore the monarchy.
Similarly, in the American context, Morrison's
'Beloved' (2006) tells
the history of the Civil War and the post-trauma on the psyche of the people
who suffered during the war. Similarly, (Sidhwa, 1989) depicts the trauma of partition as a result
of communal riots. This depiction is most vividly explored in (Singh,
1956). In short, post-war literature usually
depicts the impact of war on the psyche of the people.
Achebe’s Representation of Nigeria and Igbo Culture
(Achebe, 1959) depicted the story of the
colonization era and the suffering of Igbo society at the hands of British
colonizers. The plot can be divided into three parts. The first part depicted
the norms, culture, and traditions of Igbo society. The second part was filled
with the efforts of Christians in spreading their religion. The third part
seemed occupied with Okonkwo's realization that Igbo society had softened its
stance towards the English people. That's why Igbo society is not idealized,
yet depicted truthfully. Achebe’s
"No Longer At Ease" (1960) portrayed the story of Obi Okonkwo, the
grandson of Okonkwo (the protagonist of "Things Fall Apart"), who
aimed to continue his grandfather's efforts against the negative changes in
society. He shared many characteristics of his grandfather, such as bravery,
outspoken nature, and confrontational behavior. He aspired to reform the
culture and eradicate corruption in Igbo society but ultimately became corrupt
within the system when he received a bribe by the end of the novel. He was
arrested and tried in court.
Achebe’s "The Arrow of
God" (1964) also centered on themes similar to the other two novels in the
trilogy and completed it by showing the missionary zeal to spread Christianity.
Like Okonkwo and Obi, the protagonist in this novel is Ezeulu, who is the head
priest of the Igbo in Nigeria. He was invited to work for the colonizers and
their administrations in spreading Christianity, which cost him a lot, and he faced
infringement on his freedom for several months. He lost his credibility as he
was blamed for famine during that time. Furthermore, Christian missionaries
converted many people to Christianity from their former beliefs.
Another work by Achebe, "A Man of the
People" (1966), presents the story of corruption, greed, and power. It
followed Chief Nanga, who was formerly a teacher but became a Minister of
Culture, wielding immense power yet being extremely corrupt. Instead of
preserving the traditions of the country (which remains anonymous) and the
culture, he became even more corrupt and malicious, adding to the woes of the
people. Overall, the story depicts neo-colonial Africa and the prevailing
corrupt system there. Achebe's "Anthills of the Savannah" (1987) is a
commentary on the socio-political condition of the fictional Kangan state,
which emerged from political upheaval and the termination of a dictator's rule.
The story revolves around three friends: Chris, a Commissioner; Beatrice, an
official in the Finance Ministry; and Ikem, a newspaper editor. It culminates
in the assassination of Ikem and the murder of Chris.
Recent Literature on Civil Peace
'Civil Peace' is a neglected story, and not
much literature is found on it. However, few researchers have explored it. Astuti (2017) explored 'Civil Peace' from the perspective
of the history of the Nigerian Civil War. Her exploration is most concerned
with the socio-political context of 1970s Nigeria and its effect on the story. Zamani and Haratyan (2016), using Maslow's hierarchy of needs, explored
the story. She claimed that the poor class, like Iwegbu, internalizes the
deficiencies and fears the impossibility of getting basic needs fulfilled,
confining them to limited resources and restricting their ability to achieve
higher status.
Research Methodology
The study stands on the constructivist paradigm
as defined by Mertens (2010) in the words “knowledge is socially constructed by people
active in the research process, and that researchers should attempt to
understand the complex world of lived experience from the point of view of
those who live it (Mertens, 2010, p.16). This
research is based on a qualitative method. Textual lines are subjected to the
reader's response based on personal identification at various levels.
Theoretical insights have been drawn from Norman Holland's Reader's Response
Vehicle, quoted in Tyson's "Using Critical Theory: How to Read and Write
about Literature" (2006).
Theoretical Framework
Norman Holland's Reader Response Vehicle, as
described by Tyson, is divided into four stages. In each stage, seven questions
are asked. Questions 1-5 need to be answered briefly in one line. Question 6
needs to be answered in detail. Question 7 requires the reader to give a
rationale for choosing a particular identification at each stage.
Personal Identification with the Character
"Personal identification is the experience
of seeing ourselves in a literary character" (Tyson, 2011, p.15). In this stage, we project ourselves
onto the character and interpret it accordingly.
Familiar Character Identification
At this stage, we identify someone we know and
are close to with the character we are identifying. It is described as
"reminds us of someone we know, often someone important in our lives in
the past or in the present, although we may not realize that this 'recognition'
is taking place" (Tyson, 2011, p.15).
Familiar Plot Event
At this stage, our interpretation is based on
our familiarity with the circumstances through which the character is passing.
Tyson defined it as "an event that reminds us of something we have seen or
experienced ourselves" (Tyson, 2011, p.15). At this stage, we are more
concerned with the circumstances and happenings that influence the character's
actions.
Familiar Setting
At this stage, we are concerned with the
setting of the work, its region, its history, the sense of place in the form of
vernacular languages, specific dressing, and lifestyle. In Tyson's words,
"because its geographic location or physical appearance evokes memories of
a place with which we associate important experiences that occurred there"
(Tyson, 2011, p.15).
Data Analysis
Personal Identification
Personal Identification questions are asked in
a row, but each question is not answered as per the demand of Norman Holland,
which the reader employed.
The character which the reader
liked the most: Jonathan Iwegbu is the character which the reader
liked the most.
The character which the reader
disliked the most: The character of Thieves reader disliked the
most.
Character for which the reader
feels sorry: Jonathan Iwegbu is the character for whom the
reader feels sorry and sympathy.
The character whom the reader
admires the most: Jonathan Iwegbu is the character whom the
reader admires the most.
Strongest emotional response to
the character mentioned above:
Jonathan Iwegbu is the character for whom the reader has the strongest
emotional response.
The portrayal of the Reader's Own Self in Character and Detailed Justification: There are many points in the character of Iwegbu that are of universal appeal. Anyone who reads this story can find it relatable to himself. Points have been jotted down below for personal identification.
Lucky- Survival in the Worst
Jonathan Iwegbu is a character who is lucky for
the readers who read about him, but equally for himself, as he claimed. Achebe
started the story with this description, "Jonathan Iwegbu counted himself
extraordinarily lucky. 'Happy survival!' (Civil Peace, 1971). This is the first
thing that can be counted about Iwegbu – he is lucky. He is obviously lucky as
he will be getting blessed one after another incident, throughout the story.
The reader projects himself into the character's dimension as the reader
considers himself lucky, just like Iwegbu considered himself. The reasons may
be different. Iwegbu considered himself for the blessing that he, his wife, and
three out of four children came out of the war safely. War brings mass
destruction, massacre, and violence. Surviving the war is no less than a great
blessing. Considering the scenario, his claim for his luck is justified.
Similarly, the reader counts himself lucky to
be here now, studying in one of Pakistan's prestigious universities after
passing a tough year of life without a father. It is the blessing of Allah who
has helped me survive and strive. Another reason that the reader counts for the
claim is that he is lucky to have recovered from anemia, which was diagnosed in
2018. The chances of his recovery were almost gone, and doctors were predicting
it was blood cancer. Suddenly, he started recovering, and within days, he
returned to normal. Reasons might be different for our luck, but both are lucky
to be saved from death.
Grateful
Another characteristic that Iwegbu and the
reader share is being grateful for all the blessings of Allah. "Civil
Peace" is the story of the time when everything got ruined because of war.
Amid all the destruction and decay, the character of Iwegbu remained peaceful,
calm, and, most importantly, grateful. He used to say, "Nothing puzzles
God" (Civil Peace, 1971). This sentence is revised many times in the
story, hinting at the strong belief system of Iwebgu. "Civil Peace,"
in this sense, also reflects the colors of belief inoculated by the
missionaries during the era of colonization. Iwegbu's strong belief in his
repetition of "nothing puzzles God" indicates the imprint of the
Christian religion on their minds. Whatever religion inspired him to be
grateful, this thing was more important than him remaining grateful, and in
return for every praise, he got blessed again.
The reader finds this quality of Iwegbu in
himself as he always connects to Allah whenever he feels stuck, dejected, and
even blessed. His success is not his own, his prosperity is not his own, and
even his life is not his own, so why shouldn't he be grateful? Iwegbu shows a
grateful attitude, saying, "Nothing puzzles God" when he first finds
his buried bicycle. In the same way, the reader always says Alhamdullah.
Moreover, this gratitude always blesses him with better things.
Sincerity with the Family
Iwegbu's character is that of the head of the
family, and he is most sincere to his family. The first example of his
sincerity can be seen in his attitude towards life. However, his sincerity
toward the family can be seen in his efforts to bring his family back to his
house in Ogui. It is described as “He promptly utilized it as a taxi and
amassed a modest stack of Biafran currency by transporting camp administrators
and their family across the four-mile distance to the closest paved road.”
(Civil Peace, 1971). It is not an easy job to do.
Moreover, Iwegbu's sincerity toward his family
can be seen when he makes settlements with thieves. 'To God who made me; if you
come inside and find one hundred pounds, take it and shoot me and shoot my wife
and children. I swear to God. The only money I have in this life is this
twenty-pound egg-rasher they gave me today...' (Civil Peace, 1971). It is clear
that at the cost of all the money he has with him, he was ready to save his
family's life, and he did it successfully. The reader can see himself in his
character in terms of sincerity as well. He has a similar kind of affiliation
with his family and his family members. He is striving to give them a better
life and hoping to make their lives heaven."
Conscious
Iwegbu's character is one of consciousness, one
who remains well aware of the circumstances and prepares himself to tackle them
effectively. It is evident when Achebe wrote, 'insisted that the money had been
in the other pocket, pulling it out too to show its comparative wholeness. So
one had to be careful' (Civil Peace, 1971). It was the time when he got money
and was deciding where to keep it in his pocket. He considered every tactic and
decided to put it in the left pocket so that he could have his hand on the
money. The reader also has a similar kind of conscious thinking before making
any decision. For example, if it is an exam day, the reader will check himself
properly before sitting so that no notes are left in his pocket, which could
cause a problem during invigilation checks."
Honest
Iwgbu is honest and true to life. His honesty
can be gauged as he told the truth about his money to thieves. He might have
lied, but he did not. He clearly said, 'I have this twenty-pound egg-rasher
they gave me today in this life...' (Civil Peace, 1971). This shows his
goodwill and honesty, which saved his and his family's life from thieves. These
things are universal principles; who can reject them? That is why readers also
see themselves in that aspect. Instead of making flimsy excuses, he usually
goes with the bitter truth, no matter what it brings to him.
Interpretation
His interpretation of this character is
directly influenced by the universal moral appeal it holds. It is the character
through which we see how a person's luck can bring about good fortune. Readers
also perceive how being grateful to God and sincere with family are supreme
values that cannot be ignored at any cost. Moreover, honesty pays greater
rewards than anything else on this planet Earth. All of these characteristics
of the character influenced the reader's interpretation."
Familiar Character Identification
All Character Names: There are only a few characters in the story. Jonathan Iwegbu is
the main character (protagonist) of the story. The second character is his
wife, Maria. The third characters from the family are their three children, who
were not named. The fourth characters are the thieves.
Names of Familiar People who give a
glimpse of the character of Iwegbu are the family of Ahmed, Sidra, and their
three children.
Pairing Characters with the
People I Know: Ahmed is paired with the character of Iwegbu,
Maria's character is paired with Sidra, and the children are paired with the
children's characters.
Strong Emotional Response: Reader has the strongest emotional response to the pair of Ahmed
and Iwegbu.
Things in Common between
Character and Person: There are lots of things both share in terms of
age, behavior, status, and attitude toward life.
Age
The first similarity that the reader draws is the similarity in their age group. Reader supposes that if Iwegbu is described as the father of three children, he must be in his 30s. Similarly, the person whom the reader knows and who resembles the character is in his 30s. So, age is the first factor that both characters share
Maturity
Another major similarity is the mature approach
towards life. Iwegbu, even after losing everything, says, '"I count it as
nothing," he told his sympathizers, his eyes on the rope he was tying.
"What is an egg rasher? Did I depend on it last week? Or is it greater
than other things that went with the war? I say, let the egg rasher perish in
the flames! Let it go where everything else has gone. Nothing puzzles
God." (Civil Peace, 1971). These lines show how firmly he believed in God
and how maturely he behaved at the loss of money. Similarly, Ahmed's character shows
patience and firm behavior when losing something important.
Dedication
Both are dedicated personalities. Iwegbu's
dedication can be seen in three instances: his work as a driver to earn a
livelihood for his family, which shows him as a person who does not take things
for granted and pays himself in the service of those who really matter to him.
The second incident is when he was working passionately to renovate his house
for his family. Moreover, the third event is when he sacrifices all the money
to save his family. Indeed, Iwegbu's character is the one who is truly
dedicated to life."
Interpretation
The reader's interpretation of this pair is
based on their leading roles as family heads. The way they carry their families
is commendable and cannot be expressed in words. They make every effort to
reconcile with the conditions and bring the best to their families. It is
always the family heads who stand at the forefront when it comes to leading the
family, dealing with problems, and raising standards. The characters of Iwegbu
and Ahmed are the perfect leading examples. Their sincerity to their families
and their maturity towards life makes them admirable for anyone."
Familiar Plot Event
Plot Event that is Most
Satisfying: There are four events that the reader finds
most enjoyable and satisfying. The first one is when Iwegbu finds his lost
bicycle, the second is when he gets his house intact, and the third is when he
finds the money from the egg rasher. The fourth is when he expressed
satisfaction with life even after losing all the money. If one is to be chosen,
the reader would choose the last one.
Plot Event which is Most
Disturbing: When thieves came to rob Iwegbu's family, that
event was the most disturbing.
Plot Event which is Most
Surprising: The plot event that the reader finds surprising
is when Iwegbu finds his house intact even after the war. It was no less than a
miracle.
Plot Event which is Not Much
Important: The time when he kept visiting the office for
his job is the point in the story without which it would not lose its essence
Strongest Feelings for Plot Event: The reader has the strongest emotional response to all the plot
events, which are enjoyable and satisfying.
Relationship to Plot Events that
are Satisfying and Enjoyable: There is a strong relationship with the plot
events. The plot events that the reader picked as most satisfying and enjoyable
are those with universal appeal that attract readers in a particular way.
Contentment After Losing Everything
When Iwegbu remarks, '"I count it as nothing," he told his sympathizers, his eyes on the rope he was tying. "What is an egg-rasher? Did I depend on it last week?" (Civil Peace, 1971). This plot event is the most satisfying and enjoyable, as it shows a man who has nothing but belief. His belief system, his rationality, and his attitude towards life force us to connect with him. The plot event seems depressive, but in actuality, his response made it satisfying for the readers as he ended this event at the end of the story with the words, "Nothing puzzles God" (Civil Peace, 1971). A personal connection to this plot event is that there came a time when the reader lost his academic form. It was the time when he opted for the same approach towards life, which helped him overcome difficult times very easily. His remarks and this plot event actually portray the transient nature of everything. Everything is temporary.
Miracle
Another event that is most satisfying and enjoyable is when he finds his house intact after the war. War destroyed even buildings, but his little house was not damaged. "This newest miracle was his little house in Ogui Overside. Indeed, nothing puzzles God!” (Civil Peace, 1971). This is not less than a miracle for him as most of the buildings around were destroyed but “Jonathan's little zinc house of no regrets was built with mud blocks that were quite intact!" (Civil Peace, 1971). This event is something relatable to the reader. He feels that such a miracle has happened to him many times. Last year, he almost lost hope of getting admission to an M.Phil. He was almost hopeless. There was tough competition among students. When the merit list got uploaded, and his name was in the opening merits, for him, it was no less than a miracle. These two plot events are familiar and show some similarity in the response mechanism of the character and reader to particular circumstances."
Familiar Setting
Country, Region, and Climate of
Setting
This story is set in Nigeria, an African country. This becomes evident when Achebe wrote, "Biafran money" (Civil Peace, 1971). The story is set in Biafra, a state that rebelled in a civil war against Nigeria and got separated from it. The setting shifts to Enugu, a city where he returns to his house after the Civil War. As the house of Iwegbu is in Ogui Overside, Enugu, it confirms that the setting is rural because the Ogui community comprises villages. Moreover, the weather could be predicted as summer because "His children picked mangoes near the military cemetery" (Civil Peace, 1971).
Time Period of Literary Work
The literary work has been published in the
post-modern age. For countries like Nigeria, it is in the post-colonial age, as
the literature published after decolonization is known as post-colonial
literature. If the temporal setting of the work is observed, it is the time of
the Post-civil war, approximately 1970.
Elements of Setting Associated with Class
Many elements in the story depict class. For
example, Iwegbu's bicycle is an indication of his social class. Moreover, his
profession as a coal miner confirms him as a member of the poor working class.
His house description also makes it clear that he is a member of the poor
class. Achebe describes it in the words, "And here was Jonathan's little
zinc house of no regrets built with mud blocks quite intact! Of course, the
doors and windows were missing and five sheets off the roof. But what was
that?" (Civil Peace, 1971). Moreover, his wine shop also indicates him as
a member of the poor class.
Elements that Give a Sense of Place
According to Holland, one of the most important
elements of a sense of place is the character's use of vernacular language.
This thing is very evident in 'Civil Peace.' In 'Civil Peace,' the whole
conversation between Iwegbu and the thieves happens in the regional dialect of
English, which is distorted, informal, and different from actual English. When
the thieves first time conversed with Iwegbu in reply to who was knocking,
"Na tief-man and him people," came the cool reply. "Make you
open de door" (Civil Peace, 1971).
Strongest Emotional Response
The setting of the place and the sense of place are the things that have the strongest emotional appeal to the reader.
Personal Relation to the Aspects of Setting
Third-world Country Story: As the story is set
in the third-world country of Nigeria, it has the strongest emotional appeal to
the reader. It has similar turmoil and lawlessness, as he can see in the
context of Pakistan. There are many factors related to the story that he can
relate to. The weather of the setting is depicted as summer. This aligns with
the weather of his city, which, in most months of the year, remains hot and
dry.
Moreover, it is shown as a rural area, but the
reader can still connect with it as the setting is natural and reminds him of
his village. The use of the local language is another relatable thing. Although
the local language is used here in moments of danger, panic, and crisis, it
still reminds him of our habit of speaking our local language at any time. It
simply reminds him of how we talk to the other locals in our language more
precisely and more friendly.
Interpretation
The reader's interpretation of the story is
influenced by the setting of the story, which is set in a third-world country
in which the system is corrupt and malevolent. The absence of law and injustice
rules everywhere. This represents the ways of almost every third-world country.
Moreover, the physical features of the setting reminded him of the natural
scenery and rural life of the village. Lastly, the use of regional language is
something that made him think of the work as a true representation of one's
culture and ways of life."
Discussion
The findings of this research are contrasting
with those of the existing literature. According to the reader's personal
interpretation through identification at all stages, it is claimed that
Iwegbu's character is content with what he has, which contrasts with what
Zamani (2016) claimed in her study of hierarchical needs. Moreover, this study
is supported by the idea of depicting history as a colonial subject as
discussed by Astuti (2017). The reader finds unity with the character at the
personal identification stage. Even though a familiar plot, familiar setting,
and familiar characters are present in 'Beloved' (1987), my personal interpretation
shows them as contrasting pieces of work. In terms of character, Iwegbu's
character is portrayed as lucky, content, patient, calm, and composed. However,
if the reader interprets 'Beloved's' character, Sethi, his interpretation will
contrast with his interpretation of Iwegbu, as she is haunted, stressed,
panicked, and depressed.
The findings of the research
are supported as well as contrasted by other fictions of Achebe, including his
trilogy. In "Things Fall Apart" (1958), readers seem to identify the
character of Okonkwo as completely contrasting with the character of Iwegbu.
Okonkwo is powerful and raises his voice against society; however, Iwegbu is
polite, grateful, and submissive. Apart from that, there are similarities in
the plot, as both face crises. In "Things Fall Apart," Igbu's society
seems to flourish before colonization but is devastated and assimilated in
their culture and religion by the end, which is similar to Iwegbu's condition
at the start, which worsens by the end of the novel. Moreover, there is a
similarity in the setting, as both works are set in Nigeria. The findings of
the study are supported by Achebe's "The Arrow of God,"(1964) as both
the characters show a similar attitude towards life. Both Iwegbu and Ezeulu are
courageous and grateful. There is a similarity in the plot as Ezeulu seems
abandoned by society when he rejects the White men's offer. Similarly, Iwegbu's
conditions were good at the start, but he experiences the worst by the end as
he loses everything and remains grateful for the five heads of his family.
There is also a similarity in the setting as "The Arrow of God" seems
to be set in an African country. The findings also receive support from the
familiar and similar plot identification and setting of Achebe's "Anthills
of the Savannah" (1987). The political turmoil and absence of the rule of
law seem similar in both works. In "Civil Peace," the time after the
civil war is depicted, and similarly, in "Anthills of the Savannah,"
the story is set after political upheaval and turmoil in Kangan. Our findings
contrast with the character and plot identification in "A Man of the
People" (1966). In contrast to Iwegbu, Chief Nanga character is extremely
powerful, and in terms of plot, it is entirely different as Chief behaves
corruptly throughout the novel while Iwegbu behaves beautifully. Similarly, in
Achebe’s "No Longer at Ease" (1960), the character Obi is contrasting
in nature to Iwegbu. Obi aspires for change but becomes corrupt. On the other
hand, Iwegbu remains grateful throughout the story. Overall, the reader's
response to this work is both supported and contradicted by existing
literature, contributing to the ongoing discourse.
Conclusion
This study explored Achebe's 'Civil Peace'
story through the Reader's Response Vehicle as proposed by Norman Holland. The
character of Iwegbu is seen as similar to the reader and influences the
reader's interpretation of him as a positive character. Similarly, his attitude
towards life reminds him of Ahmed, influencing his interpretation in the second
stage. Thirdly, his goodwill at losing everything is the event that helps the
reader relate to events he has gone through, influencing his interpretation.
Finally, the sense of place, especially the use of vernacular language, is
another element through which the reader can relate more, as the writer uses it
to make the story more relatable through the tool of language. After all stages
of interpretation, the reader concludes that Iwegbu's character is the tool
used by Achebe to convey the message that one should be calm, peaceful, and
happy as the nature of the world is temporary and transient.
References
-
Achebe, C. (1959). Things Fall Apart: A Novel. Penguin Books.
-
Achebe, C. (2004). A man of the people. Heinemann.
-
Sidhwa, B. (1989). Ice-candy-man. Penguin Books India.
-
Singh, K. (1956). Train
to Pakistan.
Sivasankar, K., & Ganesan, V. (2015). Chinua
Achebe: an exemplar in the postcolonial epoch. (2015). International Journal
of Science and Research, 4(12), 489–492.
Tyson, L. (2011). Using
Critical Theory: How to read and write about literature.
Weber, Britney. 2010. Civil Peace by Chinua Achebe: Cultural crossroads in Nigeria. Available in http://www.worldliterature.co.id
Zamani, A., & Haratyan, F. (2016). Hierarchy of needs in
Cite this article
-
APA : Abbas, F., & Fatima, B. (2023). Reader's Response to Achebe's Civil Peace. Global Language Review, VIII(III), 28-38. https://doi.org/10.31703/glr.2023(VIII-III).04
-
CHICAGO : Abbas, Faheem, and Behmissal Fatima. 2023. "Reader's Response to Achebe's Civil Peace." Global Language Review, VIII (III): 28-38 doi: 10.31703/glr.2023(VIII-III).04
-
HARVARD : ABBAS, F. & FATIMA, B. 2023. Reader's Response to Achebe's Civil Peace. Global Language Review, VIII, 28-38.
-
MHRA : Abbas, Faheem, and Behmissal Fatima. 2023. "Reader's Response to Achebe's Civil Peace." Global Language Review, VIII: 28-38
-
MLA : Abbas, Faheem, and Behmissal Fatima. "Reader's Response to Achebe's Civil Peace." Global Language Review, VIII.III (2023): 28-38 Print.
-
OXFORD : Abbas, Faheem and Fatima, Behmissal (2023), "Reader's Response to Achebe's Civil Peace", Global Language Review, VIII (III), 28-38
-
TURABIAN : Abbas, Faheem, and Behmissal Fatima. "Reader's Response to Achebe's Civil Peace." Global Language Review VIII, no. III (2023): 28-38. https://doi.org/10.31703/glr.2023(VIII-III).04