References

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• Bhabha, H.K. (1984) Location of Culture. London and New York: Routledge.
• Butler, J. (1988) Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal, Vol. 40, No. 4, pp. 519-531.
• Chinna, S. (2003) Performance- Recasting the Political Theatre and Beyond. Peter Lang.
• Craig, Edward. G. (1908) The Actor and the Uber- Marionette. The Mask, Vol. 1, No. 2, p. 57-58.
• Gilbert, H. (2001) Editor. Post-colonial Plays: An Anthology. Oxon: Routledge.
• Gopal, P. (2004)
• Kaul, S. (1994) Separation Anxiety: Growing Up Inter/ National in Amitava Ghosh's The Shadow Lines. Oxford Literary Review, Vol. 16, No. 1/2, pp. 125-145
• Mukherjee, A. (2014) What is a Classic? Postcolonial Rewriting and Invention of the Canon. Stanford, California: Stanford University Press.
• Pandey, G. (1989)
• Puri, S. (2004) The Caribbean Postcolonial: Social Equality, Post/Nationalism, Cultural Hybridity. Palgrave Macmillan
• Smart, J. (2014)
• Walcott, D.A, (1978) Pantomime. Electronic Edition by Alexander Street Press, L.L.C., 2005. Also published in Crosswinds: An Anthology of Black Dramatists in the Diaspora, Branch, William B., ed., Indiana University Press, Bloomington, IN, 1993.